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July 30, 2012 | Louisville.com | "Review: Barry Manilow basks in lovefest at the Palace" by Selena Frye |
From the moment Barry Manilow's back-lit silhouette appeared on the Palace stage to huge applause on Friday night until, literally, the final curtain when he led an a capella sing-along of "One Voice" to say goodnight, the theater felt suffused with a joyful, delighted energy. With banks of percussionists on each side of the stage and an array of backing musicians between them, Manilow moved easily from center stage to piano to keyboard, playing songs that are so much a part of the fabric of pop music history that you can't help but feel somehow at home, cocooned in warm nostalgia. Manilow obviously understands this about his own music, and he doesn't try to disguise it. He would introduce his songs by sharing an image of an old record cover or photo projected on the screen over the stage, and share brief anecdotes about his career and growing up in Brooklyn. He said his three choices were sports (which he was no good at), music, or joining a gang. "Can you imagine -- me -- in a gang?" he asked the audience with smiling incredulity. No, Barry, we can not. Clearly, you're a lover, not a fighter. With the ease born of many years of performing, he gave the audience what it wanted -- a set of greatest hits from "It's a Miracle" to "Could it Be Magic" straight through to "Copacabana" and "I Write the Songs." Often flanked by his two young, smiling dancers and backup singers, the music arced and soared over the theater, key changes abounded, and as my husband says, "The man can write a push." I kept wishing he would just sit at the piano and play an entire song (or two or three) unaccompanied, sort of Manilow Unplugged, but alas, Barry likes it BIG -- and that apparently will never change. I am at least old enough to remember when Manilow's songs were ubiquitous on mainstream radio, and while they may have receded into the distance of easy-listening oldies stations, hearing them from the man himself reminds you that these are really beautiful melodies and intricate arrangements -- a style that has gone out of vogue these days, especially when paired with unabashedly sentimental lyrics. There's no irony here, no bravado, no Adele-like defiance in "Mandy." I'm in love and I'm sad. The end. The simplicity and universality of that experience, perfectly rendered in a song, is precisely what made them huge, world-wide hits. When he launched into "Even Now," I had my eyes on a trio of women in front of me who were obviously attending the show together. One of them was crying and her friend had her arm around her shoulders as if to help bear her up through the song. Who knows what emotional chord it struck, or what memory it brought to the surface, but it reminded the cynic in me of the power that music has to root itself in you and wring you out. It was touching and genuine, and no number of smart-alecky, know-it-all critics can minimize the importance of that experience to the people for whom it has meaning. |
July 29, 2012 | Atlanta Journal-Constitution | "Barry Manilow canceled at Chastain" by Melissa Ruggieri |
Tonight’s Barry Manilow concert at Chastain Park Amphitheatre has been canceled. Refunds available at point of purchase. Venue sources have confirmed that 'production issues' are the reason for the cancellation. There is talk of rescheduling at another venue soon. |
July 29, 2012 | CBS 46 News Atlanta | "Barry Manilow show canceled" by John Pillow |
The Barry Manilow show scheduled for this evening (July 29) at Chastain Park Amphitheatre has been canceled due to production related issues, organizers say. Customers seeking a refund are able to redeem at the point of purchase. |
July 27, 2012 | Courier-Journal | "Barry Manilow's concert and music will show his gratitude to fans" by Jeffrey Lee Puckett |
Barry Manilow has made a living for 40 years by playing songs, which isn’t as obvious as it sounds. Manilow comes from a tradition where songcraft is revered, from his earliest days as Bette Midler’s musical director to a career that now stretches over more than 40 albums. He likes a song where the lyric and melody combine to tell a story, something that doesn’t often happen on today’s pop charts. People are "making great records, but the engineers and producers are the stars of the records; the songs aren’t anymore," Manilow said in an interview earlier this week. "Even the performers aren’t, because they’ve got nothing to sing so they doodle, they noodle. How many notes can you fit in a bar, you know? It’s not about a lyric and it’s not about a melody anymore. It’s about groove and the sound of the record, which is great, but I do miss songwriting, but it seems to be disappearing and it makes me sad." So Manilow, who performs tonight at the Louisville Palace, wasn’t surprised when Adele’s "21" conquered the world last year. It’s an album filled with finely wrought songs, emotionally compelling stories and great singing. "I was talking to my friend Dave Grohl about why Adele is so popular," Manilow said, "and it was because they were real songs. The public is starving for it." Dave Grohl? As in the Foo Fighters? Barry Manilow hangs out with the Foo Fighters? "What do you think I am?" Manilow teased. "I’m hip. I’m the hippest man in the country, but nobody knows it." And one of the most iconic. In the course of selling more than 80 million records, Manilow has completed the pop culture cycle, from adored (but not exactly hip) pop star to adored adult contemporary entertainer (who, by virtue of his longevity, has become hip). He’s still selling records, too. His latest, "Live in London," debuted at No. 1 on Billboard’s Top Internet Albums chart, No. 5 on its Independent Albums chart and No. 24 on its Top 200 album chart, which is the highest for a live album in 35 years. Last June, "15 Minutes," an album of new original material that deals with the concept of fame, debuted at No. 7 on the Top 200 and No. 1 on the Independent Albums chart. Manilow, at 69, is getting more hot chart action than Justin Bieber. "Not exactly," Manilow said, laughing, "but it is a big surprise for me that the audiences are still out there in this day and age, and seem to be paying attention to what I’m doing. I’m very grateful." Manilow’s gratitude is reflected on his current tour, which is visiting cities he hasn’t been to for years. While he could easily focus the set-list on "15 Minutes," Manilow instead is doing a show that caters to fans. "I know what they want to hear," he said. "They want to hear those great big hits that I lucked into, and I am happy to give it to them. I start with 'It’s a Miracle,' and 90 minutes later I end with 'I Write the Songs,' and everybody is very happy out there. Now and again, I throw in a song from '15 Minutes' or an album cut ... but I know they want to hear the ones that were really popular." During Manilow’s first decade as a solo artist, from 1974 to ’83, he had 25 Top 40 singles, three of which went to No. 1 -- "Mandy," "I Write the Songs" and "Looks Like We Made It." In 1978 alone, he had five charting albums simultaneously, which has only been done by Frank Sinatra, Michael Jackson, Bruce Springsteen and Johnny Mathis. Strangely, he didn’t have a No. 1 album until 2006’s "The Greatest Songs of the Fifties." Manilow also stays busy with The Manilow Music Project, which collects donations in the form of new and gently used musical instruments that are then given to middle and high school students. The project has given away thousands of instruments, including more than $300,000 worth to Joplin, Mo., schools in the wake of last year’s tornadoes. The project started eight years ago as a result of some soul-searching by Manilow about how he could best use his fame to do some good. "I think about that all the time," he said. "How can I use this fame that I’ve been so fortunate to have? How can I help? Those are four great words. I say yes to every benefit that I can possibly do. This one was really personal because I went through it." Manilow was raised in a modest home in Brooklyn and had no real aspirations until he joined his school’s orchestra. The Manilow Music Project has been dedicated to keeping school programs afloat. "When I joined the orchestra, I found it," he said. "I was grounded. I knew my way around that world of music, and I know that if they take away those orchestra classes, there are gonna be a lot of kids that are at sea. They’re going to be like me. They’re not going to know what they want to do with their lives." With a full touring schedule, charity work and eight albums in the last seven years, no one could fault Manilow for easing back on his schedule. But Manilow said that he’s still having too much fun. "I’m amazed that I’m still here," he said. "I’m amazed that I’m still standing up, and I’ve got my voice and I’ve got my hair! I’m a hundred years old. Shouldn’t I be out in the pasture somewhere?" BARRY MANILOW. When: Tonight, 8 p.m. Where: Louisville Palace, 425 S. Fourth St. Cost: $49.99, $74.99, $124.99, available at the box office and www.livenation.com. |
July 26, 2012 | WTHR-13 | Manilow Music Project brings instruments to Indianapolis students |
INDIANAPOLIS - At a recent summer practice for members of the Crispus Attucks concert band, several students went over the notes and played a few songs. But getting the tune just right is a challenge. When asked if she was practicing on her own saxophone, Crispus Attucks junior Ashley Huntsman said, "Oh no, it's the school's." Most IPS students don't have the resources to rent an instrument, let alone buy one. Now they're getting help from people they don't even know. About a dozen instruments have been donated so far. They're currently in storage at Bankers Life Fieldhouse. The donations were inspired by one man best known for his disco-era love songs like "Mandy" and upbeat tunes such as "Copacabana." Barry Manilow has brought crowds to their feet for nearly 40 years. Now he's calling them to action. "I'm just trying to make them aware that they could do something," Manilow said during a recent interview with Eyewitness News conducted at the Palladium in Carmel.
When the legendary singer-songwriter performs at Bankers Life Fieldhouse on August 3rd, some people in the audience will get free tickets. All they have to do is donate an instrument. That instrument will end up in the hands of an IPS student. It's part of the Manilow Music Project. "This will have a lasting impact on students for years to come. This is a really neat opportunity", explained David Ebersole, director of bands at Crispus Attucks Medical Magnet High School. "The fact that Mr. Manilow is willing to do this is really a life-changing event for our students," he said. "You know what happens with music classes," said Manilow, "I hear it from principals and superintendents of schools, these kids; their grades go up, they become better students. They become better people." Not all of the students are familiar with the benefactor. "His name sounds very familiar and I've probably heard at least one of his songs from my parents, but not really," said Crispus Attucks sophomore Mariah Mathews. He hopes to have an impact for years to come. "Didn't that happen to all of us?" Manilow asked rhetorically. "It was one night, somewhere somebody saw what you do and they said - that's what I want to do. There's a budding Barry out there every night that if they played that instrument, who knows what would happen for them?" His songs have stood the test of time. His legacy is to give budding musicians the gift that only an instrument can give. You must bring an instrument to the Bankers Life Fieldhouse box office between now and next Friday to receive those free tickets. They are club level seats, which normally start at $40 each. The tickets also get you in to the State Fair on any day. 13 WTHR Indianapolis |
July 26, 2012 | Access Atlanta | "Barry Manilow singing the old songs and writing new ones" by Melissa Ruggieri |
For the past seven years, Barry Manilow’s life revolved around his Las Vegas residency, first at the former Las Vegas Hilton, and then for nearly two years at Paris Las Vegas. In December, a day after wrapping his tenure on the Strip, he underwent hip surgery, a painful, complicated procedure from which he has recovered "about 90 percent." Now, the mega-selling Manilow (80 million records worldwide and counting) is back on the road playing three dates every other weekend - enough, he says to keep his band together and keep him fresh without sending him back to the operating room. One of those stops will be Sunday, when he visits Chastain Park Amphitheatre. As for those Vegas years, Manilow paused briefly when asked if he misses his regular gig. "It was great. But do I miss it? It was fun and I don’t remember one bad show or moment. We would come off the stage and celebrate every night," he said in a phone interview earlier this week. "They had warned me that Vegas audiences would be different, but I never had one of them. We had beautiful shows in both casinos." Any chance of a return? "When we were done at Paris, that was as good as I could do. We had put together a beautiful production. If I had gone to another [casino], I don’t think I could have topped that, so no... I don’t think so at this point," Manilow said. The singer behind many of pop music’s timeless lite-pop classics – do we really need to name "Could it Be Magic," "Mandy," "Copacabana," "I Write the Songs," "Looks Like We Made It" or his other 42 Top 40 hits? – has an unusually robust catalog to draw from. But while those swoony gems are the core of his concerts, he’s still eager to write and create. Last summer Manilow, 69, released "15 Minutes," a concept album about a young musician who wants to be a star, finds that fame and then experiences the crests and indulgences that inevitably lead to a free fall. It’s a sharp musical commentary on stardom and saturation in our media-obsessed times. "Nick [Enoch] Anderson, my lyricist for many years, is a great storyteller and he looked around and saw all of these entertainment shows going on, making stars out of young people overnight and you just count the moments until they wind up on TMZ," Manilow said. "I thought it would be an interesting thing to write about because I’ve been down that road. No matter how mature you think you are, when this thing hits, it knocks you over. I was 29 [when I got famous]. These kids are 15, 16, 19. How are they handling it? How is it not blowing them over?" The closing song on "15 Minutes" called "Everything’s Gonna Be All Right" became a buzzed-about track on the U.K. version of his "Live in London" CD released here and overseas a few months ago. So the song has now been remixed and released as a U.S. single. Manilow, though, is nothing if not a realist. "How do you get a record on the radio these days? I don’t know. But it’s a wonderful single and I think it says something that people need to hear," he said. Manilow also hasn’t given up on his musical "Harmony," which was birthed in 1997 and went through a series of financial and legal headaches for the next few years. Manilow and co-writer Bruce Sussman hold the rights to the musical, of which Manilow said there is "some big news coming... but I can’t release it yet." He plans to spend the rest of the summer sporadically touring and then working with "Harmony." After that, "I don’t know. Probably another album," he said. Manilow is often confronted with a problem that he’s learned to manage over the years, because now he knows better. "There are so many offers out there all the time, but I say no to them because if I say yes, I dive in so deeply," he said. "I learned commitment from Bette [Midler, his most famous boss from the '70s], so I say no to most things because otherwise it’s going to consume me 24 hours a day until the project is over." Barry Manilow: 8 p.m. Sunday. $9.99-$85. Chastain Park Amphitheatre, 4469 Stella Drive, Atlanta. Non-table setup (no coolers or carry-ins allowed). 1-800-745-3000, www.ticketmaster.com. |
July 25, 2012 | The Tennessean | "Music City Beat: Barry Manilow aids music students" by Cindy Watts |
Do you have a kazoo? What about an old guitar in the attic collecting dust? If so, and you’re willing to let go of it, you can get into Barry Manilow’s Saturday night concert at Bridgestone Arena free of charge. Through his charity The Manilow Fund for Health and Hope’s Manilow Music Project, the singer is gathering new and gently used instruments for music students in Nashville public schools. And he plans to kick off the instrument drive himself: The piano man is set to donate a Yamaha piano for local students. "I felt I needed to do something when I heard they were cutting music and arts classes all over the country," Manilow told The Tennessean. "I formed (The Manilow Fund for Health and Hope), where we raise money to get instruments into the hands of kids in schools that don’t have any. It’s been pretty successful over the last five years." Manilow explains raising money can be a lengthy process, but when he has the cash in hand, he makes the most of it. Most recently, he donated three truckloads of instruments to the students in Joplin, Mo., who lost their school in a tornado. This year, he expanded the charity to include the Manilow Music Project, which encourages instrument donations by offering free tickets. He was elated at a gig in Chicago when more than 200 instruments were collected. However, he says he’s thrilled if he gets 25 to 35 instruments in every city. "If in Nashville, someone has an old guitar up in the attic collecting dust, that’s the instruments I’m looking for," Manilow said. "As far as donated instruments, I’ll accept anything." The singer assures his show will be well worth the donation -- he plans to play as many hits as he can fit into his time slot. "It’s been so many years and I’ve had so many hit records, I know they want to hear that," he said. He also plans to squeeze in a few album cuts, as well as a few songs from his new album, "15 Minutes," which he says is based on "fame and what fame can do to you." "It’s a great idea for an album," he says. "People are seeing it all the time on reality shows, these people becoming household names overnight. And it was an interesting thing to do an album about." To donate an instrument for the instrument drive and receive free tickets to Manilow’s show, drop off the new or gently used item at Bridgestone Arena between 10 a.m. and 5 p.m. today through Friday. Tickets for Manilow’s concert at 7:30 p.m. Saturday are $9.99-$129.99 and are available through Ticketmaster, 1-800-745-3000 or www.ticketmaster.com. |
July 24, 2012 | WFMZ-TV 69News | Barry Manilow donates new piano to Reading School District: Instrument donors can receive 2 tickets to upcoming show at Sovereign Center |
READING, Pa. - Legendary singer-songwriter Barry Manilow is sharing his love of music with local schoolchildren. Manilow, through his Manilow Music Project, has donated a new Yamaha piano to the Reading School District. "I'm thrilled to be able to help bring the gift of music to these kids," said Manilow, who will be performing at the Sovereign Center in Reading for the third time on September 6. Manilow's donation launches the Reading Musical Foundation's instrument recycling program, known as "Operation Replay." "Donated instruments are refurbished, cleaned up, sanitized and then given out in the Berks County schools to kids who can't afford to either purchase an instrument of their own or rent an instrument," said Keri M. Shultz, president of the RMF. Anyone who donates a new or gently used musical instrument will receive two free tickets for Manilow's concert. "This surge of instruments into Operation Replay, RMF's instrument recycling program, will allow 50 additional students in the Reading School District to begin their own music journey," said Shultz. The Sovereign Center box office on Penn Street will be the base for the instrument drive from now through September 6. Donors can exchange an instrument for tickets weekdays between 10 a.m. and 5 p.m. "I would love to see this lobby filled with instruments people are bringing in," said Joanie Berney, marketing manager for the Sovereign Center. The Manilow Music Project is part of The Manilow Fund for Health and Hope. It was formed as a grass roots organization to assist local charities and programs with the primary focus of providing musical instruments to high schools and middle schools and music scholarships at universities throughout the U.S., Canada, and the U.K. |
July 24, 2012 | Reading Eagle | Barry Manilow donates piano to Reading School District |
Singer-songwriter Barry Manilow hopes others will follow his philanthropic lead after today's announcement that he has donated a Yamaha piano to launch a local instrument drive for the Reading School District. Anyone who donates a new or gently used musical instrument to the Sovereign Center Box Office, 700 Penn St., will receive two free tickets for Manilow's Sept. 6 concert at the Sovereign Center. "I'm thrilled to be able to help bring the gift of music to these kids," Manilow said. Partnering with the Manilow Music Project will be the Reading Musical Foundation. "The Reading Musical Foundation is extremely thankful to Mr. Manilow for giving back to the Reading community," said Keri M. Shultz, RMF president. "This surge of instruments into Operation Replay, RMF's instrument recycling program, will allow 50 more students in the Reading School District to begin their own musical journeys." |
July 24, 2012 | Examiner | "Trade a new or gently used musical instrument for free tickets to see Manilow" by Linda Brewer |
Legendary singer-songwriter Barry Manilow hopes others will once again follow his philanthropic lead as he donates a Yamaha piano to launch a local instrument drive for the Nashville Public Schools. Anyone who donates a new or gently used musical instrument to Bridgestone Arena Box Office will receive 2 free tickets (valid for pre selected seat locations) for Manilow’s July 28thth concert in Nashville, TN. "I’m thrilled to be able to help bring the gift of music to these kids," states Manilow. The Bridgestone Arena will be the base for the instrument drive in Nashville, from now through July 28th. The instrument drop off location is open between 10am and 5pm Monday through Friday. "Mr. Manilow’s generous instrument donation program through the Manilow Music Project shines a light on Metro Nashville Public School’s exciting new music education initiative. Music Makes Us is a new approach to music education that focuses on enhancing the traditional music curriculum and adding a contemporary curriculum track that uses new technologies and reflects a diverse musical landscape. Reaching 79,000 students in Metro Public Schools, Music Makes Us pledges to make Nashville the worldwide leader in music education. The initiative is a public/private partnership among Metro Nashville Public Schools, Nashville Mayor Karl Dean, the Music City Music Council and music industry leaders in Nashville. We are pleased to welcome Mr. Manilow to Nashville and wish to convey our gratitude for his contributions to the music education of our youth." - Dr. Jesse Register, Superintendent of Metropolitan Nashville Public Schools The Manilow Music Project (MMP) is part of The Manilow Fund for Health and Hope. It was formed as a grass roots organization to assist local charities and programs. Its primary focus is to provide musical instruments to high schools and middle schools and to provide music scholarships at universities throughout the US, Canada, and the UK. More information on the Manilow Music Project can be found at http://www.manilowmusicproject.org/. Tickets are available online at Manilow.com or Ticketmaster.com, in person at The Bridgestone Arena Box Office or by calling 1-800-745-3000. With worldwide record sales exceeding 80 million, Barry Manilow is ranked as the top Adult Contemporary chart artist of all time with 47 top 40 hits. Manilow has produced, arranged, and released over 40 albums over the course of his career. |
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